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March 1998 [Volume 7, Issue 4]: Features
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Legal videography has grown by leaps and bounds as digital video and DVD have emerged as common litigation tools, and made searching for the “Perry Mason” moment upon which cases often turn a simple matter of timecodes, syncing, and indexing. Much broader than taping depositions, the legal videography field presents unique challenges to videographers looking to expand their shooting scope.
The Rimage 2000i boasts deft and dashing robotics, two unimpeachable Plextor Premium 52X CD recorders (8X Pioneer A07s in the DVD version), and Rimage’s well-nigh smudge-proof 480i thermal ink printer, as well as a disc mastering application called QuickDisc that makes multiple-project management and prioritizing a priori easy.
Posted 29 Sep 2004
/ March 1998 [Volume 7, Issue 4] Issue
By
Josh McDaniel
We can all agree on what tapeless storage do: they save capture time and sidestep tape dysfunction by attaching to a camcorder and recording DV live and direct to disk. but who does it best? The answer comes down to size, capacity, battery life, usability, and more. Here, we compare three compact contenders: Shining's CitiDISK, MCE's QuickStream, and nNovia's QuickCapture A2D.
Posted 29 Sep 2004
/ March 1998 [Volume 7, Issue 4] Issue
By
David Doering
Posted 29 Sep 2004
/ March 1998 [Volume 7, Issue 4] Issue
By
Hugh Bennett
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March 1998 [Volume 7, Issue 4]: Column: Echoes
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March 1998 [Volume 7, Issue 4]: Column: The Main Event
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Doug Graham|With more time required to produce high-quality videos, here's a four pronged solution to the problem of the underpaid videographer
Posted 01 Oct 2004
/ March 1998 [Volume 7, Issue 4] Issue
By
Doug Graham
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March 1998 [Volume 7, Issue 4]: Department: Studio Time
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Marla Misek|Profile: Jenny Lehman Film & Video
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March 1998 [Volume 7, Issue 4]: News: Features
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At this year’s NAB, there was a lot of talk about HDV, but not much action. But with plenty of new editing options and a 3-CCD camera from Sony,
now’s the time to give HDV a serious look.
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