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EventDV Magazine: March 2009
March 2009: Features
Elizabeth Avery Merfeld | We asked 5 award-winning studios--all of whom have won international awards specifically for their demos--to demystify the process of producing an award-winning demo and help you master the making of your own.
Posted 08 Mar 2009 / March 2009 Issue By
 
March 2009: Tutorials
Ben Balser | From capture to mixing, this article will give you the basic tools for managing how you work with soundtracks efficiently and easily.
Posted 05 Mar 2009 / March 2009 Issue By
Lance Gray | While you could certainly find a font or Photoshop brush to make a star, there is actually a very easy way to do it within Photoshop. And if you do it this way, you can even dictate the number of points!
Posted 05 Mar 2009 / March 2009 Issue By
 
March 2009: In the Studio
Shawn Lam | The primary benefit of the Matrox RT.X2 LE is that even after you add several effects and layers of video, your video preview is done in real time. In addition, once you're done editing, the subsequent export does not first require rendering time for the effects and layers before encoding.
Posted 05 Mar 2009 / March 2009 Issue By
Alan Naumann | As videographers we have a few choices when it comes to protecting the DVDs we deliver against piracy. The one I recommend is to apply the protection ourselves with PTProtect, a new technology developed and marketed by Primera Technology, the company that brought us the popular Bravo line of automated DVD duplication and printing systems.
Posted 05 Mar 2009 / March 2009 Issue By
 
March 2009: In The Field
Mark Von Lanken takes Panasonic's new professional AVCHD camera, the AG-HMC150, out in the field for a series of wedding shoots and examines its usability and features, tests its low-light performance, and offers comparisons to Sony's popular Z1U. NOW AVAILABLE: ALL 5 VIDEO CLIPS THAT ACCOMPANY THIS ARTICLE!
Posted 17 Feb 2009 / March 2009 Issue By
 
March 2009: Column: The Moving Picture
Jan Ozer | What are the 5 most common mistakes made by video producers when producing or preparing their video for streaming? In a sneak preview of his upcoming Streaming Media East seminar exclusively for EventDV readers, Jan Ozer explains these errors and tells you how to avoid them.
Posted 02 Mar 2009 / March 2009 Issue By
 
March 2009: Column: The Nonlinear Editor
Stephen Nathans-Kelly | Commit to your business, your professional development, and your magazine as we've committed to this industry, and we'll weather this recession together.
Posted 06 Mar 2009 / March 2009 Issue By
 
March 2009: Column: Strictly Business
Steve Yankee | One big advantage we have as videographers is that we're visual artists. In the social networking world, visuals rock!
Posted 05 Mar 2009 / March 2009 Issue By
 
March 2009: Department: Gear & Now
Lee Rickwood | The creative options for in-studio or fixed-location lighting for professional videographers will expand tremendously this year; we'll see new and enhanced LED and fluorescent products that offer extra control mechanisms and advanced color matching and correction tools, as well as more economical operation overall based on lower-energy requirements and longer-expected lamp life.
Posted 05 Mar 2009 / March 2009 Issue By
 
March 2009: Department: Studio Time
Elizabeth Avery Merfeld | His maxim--Adapt or die!--is what turned BMX legend Joe Simon into a four-time Telly Award-winning artist and owner of Joe Simon Productions, an Austin, Texas-based studio specializing in cinematic high-definition and vintage wedding films.
Posted 05 Mar 2009 / March 2009 Issue By