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Editorial/EventDV-TV - Posted 01 Jul 2009 By Stephen Nathans-Kelly
Stephen Nathans-Kelly | Real Weddings is exactly what it sounds like: an hour-plus DVD that encompasses all the content the Von Lankens deliver to a bride and groom. But what makes this DVD most valuable is the two commentary tracks--one for shooting, one for editing--that run through the entire disc, breaking down virtually everything they do. Also featured: 2 video clips from the DVD!
Department/Continuing Education - Posted 12 Jun 2009 - June 2009
Stephen Nathans-Kelly | Real Weddings is exactly what it sounds like: an hour-plus DVD that encompasses all the content the Von Lankens deliver to a bride and groom. But what makes this DVD most valuable is the two commentary tracks--one for shooting, one for editing--that run through the entire disc, breaking down virtually everything they do. Also featured: 2 video clips from the DVD!
News/Feature - Posted 12 Jun 2009
Marc Franklin | The hottest new announcements and releases of NAB 2009 for the videography world
Editorial/Features - Posted 05 Jun 2009 - June 2009 By Marc Franklin
Stephen Nathans-Kelly | Illinois Videographers Association event draws internationally recognized presenters Patrick Moreau and Michael Wong of StillMotion and marks the speaking debut of concept film phenom Kevin Shahinian of Pacific Pictures
News/Feature - Posted 27 May 2009 By Stephen Nathans-Kelly
Chris P. Jones | PART 1 WITH 31 FILMS NOW ON EVENTDV-TV!
News/Feature - Posted 16 May 2009 By Chris P. Jones
Through this new contest, Ikan will award almost $5,000 in cash and prizes to 1st, 2nd and 3rd place winners for their original short films featuring the Ikan name or product line
News/Breaking News - Posted 11 May 2009
Elizabeth Avery Merfeld | A look behind the garage door into the world where "A Sin City Love Story" was created
Department/Continuing Education - Posted 04 May 2009 - May 2009 By Elizabeth Avery Merfeld
Editorial/EventDV-TV - Posted 04 May 2009
Fourth annual "Best of NAB" list selected by contributing editor Marc Franklin recognizes new cameras, production gear, and postproduction solutions
News/Breaking News - Posted 04 May 2009
Elizabeth Avery Merfeld | A look behind the garage door into the world where "A Sin City Love Story" was created
News/Feature - Posted 04 May 2009 By Elizabeth Avery Merfeld
Lee Rickwood | Partly as a way to support today's multipurpose HD and DV cameras, for example, companies are incorporating a new appreciation of event videography shooting styles and situational requirements, in particular the "grab-and-go" approach that following a live event necessitates, as well as the realization that many pro video people use many different products for different jobs-from pure-play consumer to top-of-the-line professional
Department/Gear & Now - Posted 03 May 2009 - May 2009
Lee Rickwood | Partly as a way to support today's multipurpose HD and DV cameras, for example, companies are incorporating a new appreciation of event videography shooting styles and situational requirements, in particular the "grab-and-go" approach that following a live event necessitates, as well as the realization that many pro video people use many different products for different jobs-from pure-play consumer to top-of-the-line professional
News/Feature - Posted 03 May 2009
Can Austin keep Re:Frame weird, and vice versa?
News/Feature - Posted 27 Apr 2009 By Stephen Nathans-Kelly
Editorial/EventDV-TV - Posted 15 Apr 2009
FloLight, the lighting division of Prompter People, Inc. will be launching two LED lights at NAB 2009
News/Breaking News - Posted 14 Apr 2009
Editorial/EventDV-TV - Posted 08 Apr 2009 By Patrick Moreau
StillMotion cinematographers road-test Canon's game-changing HD camera on a series of destination wedding and music video shoots, and they reveal some of the camera's remarkable strengths and limitations for event filmmakers.
News/Feature - Posted 01 Apr 2009 By Patrick Moreau
StillMotion cinematographers road-test Canon's game-changing HD camera on a series of destination wedding and music video shoots, and they reveal some of the camera's remarkable strengths and limitations for event filmmakers.
Editorial/Features - Posted 01 Apr 2009 - April 2009 By Patrick Moreau
May 20 event to feature all-star speaking lineup with Patrick Moreau and Michael Wong, Lance Gray, Chris Chibucos, Kevin Shahinian, and Keith Kelly
News/Breaking News - Posted 24 Mar 2009
Jan Ozer | In this first installment and episode of Streaming Video Peer Review, streaming video expert and Moving Picture columnist Jan Ozer analyzes an online corporate video by McKinsey & Company for background, lighting and exposure, audio, editing, and encoding.
News/Feature - Posted 23 Mar 2009 By Jan Ozer
Editorial/Features - Posted 16 Mar 2009
This new on-camera LED lighting fixture can be dimmed continuously from 100 to 30 percent
News/Breaking News - Posted 12 Mar 2009
IS3 combines Zylight's unmatched color-mixing technology and high-quality construction to meet the demands of location and studio professionals who require an extremely bright and wide soft source
News/Breaking News - Posted 11 Mar 2009
Lee Rickwood | The creative options for in-studio or fixed-location lighting for professional videographers will expand tremendously this year; we'll see new and enhanced LED and fluorescent products that offer extra control mechanisms and advanced color matching and correction tools, as well as more economical operation overall based on lower-energy requirements and longer-expected lamp life.
Department/Gear & Now - Posted 05 Mar 2009 - March 2009 By Lee Rickwood
New issue features Mark Von Lanken's definitive review of the Panasonic AG-HMC150, 5 expert opinions on how to construct an effective wedding demo, Ben Balser's tutorial on working with sound in Final Cut Pro, and new columnist Mark Foley's tips on how to get great on-site audio at live events
Editorial/Features - Posted 05 Mar 2009
Mark Von Lanken takes Panasonic's new professional AVCHD camera, the AG-HMC150, out in the field for a series of wedding shoots and examines its usability and features, tests its low-light performance, and offers comparisons to Sony's popular Z1U. NOW AVAILABLE: ALL 5 VIDEO CLIPS THAT ACCOMPANY THIS ARTICLE!
Editorial/In the Field - Posted 17 Feb 2009 - March 2009 By Mark Von Lanken
New issue features Philip Hinkle's search for the perfect reception light, Jan Ozer's best practices for delivering HD video online, Stu Sweetow's surefire plan for avoiding catastrophe when shooting on location, and more
Editorial/Features - Posted 01 Feb 2009
Philip Hinkle | Does the search for the perfect reception light stop here?
Editorial/In the Field - Posted 30 Jan 2009 - February 2009 By Philip Hinkle
More efficient location in Van Nuys, California
News/Breaking News - Posted 19 Jan 2009
Lee Rickwood | New lighting gear can help professional videographers lighten their loads during on-location shoots, while at the same time reducing some of the costs associated with adding light. Light emitting diodes (LEDs), as the foundation of a video lamp, can help reduce power draw, heat output, and bulb replacement frequency.
Department/Gear & Now - Posted 01 Jan 2009 - January 2009
January 2009 EventDV Table of Contents
Editorial/Features - Posted 01 Jan 2009 By Elizabeth Avery Merfeld
Litepanels, makers of award-winning and energy efficient LED production lighting, introduces the unique 1x1 Bi-Color
News/Breaking News - Posted 28 Dec 2008
Stu Sweetow | Here's a look at some strategies for developing corporate projects that will help you answer the questions that arise when you encounter a corporate client and do the best--and most profitable--work you can.
Editorial/Features - Posted 01 Dec 2008 - December 2008 By Stu Sweetow
December 2008 EventDV Table of Contents
Ranging from outputs of 30 to 75 watts these LED light fixtures are sure to impress while be incredibly power effiicient with a max draw of 10w
News/Breaking News - Posted 24 Oct 2008
October 2008 EventDV
Editorial/Features - Posted 01 Oct 2008
Accepted by Airlines as Checked Baggage
News/Breaking News - Posted 01 Sep 2008
Market leader in light emitting diode (LED) lighting systems for the television, broadcast, video and film industries
News/Breaking News - Posted 22 Aug 2008
TapeOnline, an online leader of blank recording media and accessories, adds Rip-Tie cable ties to their online store. Rip-Tie cable ties are used to organize cords and cables
News/Breaking News - Posted 04 Aug 2008
Jan Ozer | When producing and compressing corporate video for the web, set design can have a profound effect on both the perceived and actual quality of the video you deliver. This article describes what works and what doesn't, and lists approaches you can use in a variety of shooting scenarios.
Editorial/Features - Posted 01 Aug 2008 - August 2008 By Jan Ozer
August 2008 EventDV
August 2008 EventDV: Features, Tutorials, Columns, and Departments.
Editorial/Features - Posted 01 Aug 2008
Marc Franklin | NAB, the annual national broadcast convention, always features a few great new products in the event videographer's wheelhouse. Here's a quick guide to the best products for our market from this year's show, divided into three parts: cameras, production support, and postproduction.
Editorial/Features - Posted 01 Jul 2008 - July 2008 By Marc Franklin
Lee Rickwood | LED lights are capable of generating much greater brightness and at a much lower power consumption rating than standard tungsten lights. There are now LED units rated with a 2,000 lumen output, so they have the punch that videographers often require. Here's a look at the latest and greatest in LED lighting.
Department/Gear & Now - Posted 01 Jul 2008 - July 2008 By Lee Rickwood
The latest LED lights are taking the video world by storm, and promises of bright lights with very low battery drain have many of us excited. I've spent some time on recent shoots with two of the most popular choices, the Sony HVL-LBP and the Zylight Z90. The Zylight light costs $375 more than the Sony light, but the truly innovative features in the Zylight make it well worth the extra cost.
Editorial/In the Field - Posted 01 May 2008 - May 2008 By Joe McManus
Adventures in HD Delivery, Color Isolation in After Effects, Shaping Text in Photoshop, LED Lights Shootout, Using Apple TV As a Sales Tool, and More
News/Breaking News - Posted 13 Apr 2008
Lee Rickwood | With change being the common denominator these days in both location video and electoral platforms, many event and wedding videographers will be impacted by new rules and regulations affecting the way we work, and the way we get to work.
News/Feature - Posted 29 Mar 2008 By Lee Rickwood
Tony Cucci | Anton/Bauer's ElipZ system, designed specifically for the smaller DV and HD camera user, provides a dependable way of powering a camera for a full day of shooting in the field, as well and a lighting system that can stand up to the demands of a live shoot.
News/Feature - Posted 29 Mar 2008 By Tony Cucci
Wireless, off-camera lighting system designed for wedding receptions
News/Breaking News - Posted 10 Mar 2008
First fully professional compact LED light made for production that runs off standard AA batteries
News/Breaking News - Posted 09 Jan 2008
First on-board light-emitting diode system to feature variable focus range
News/Breaking News - Posted 22 Oct 2007
Todd Gillespie | This article I'll highlight a handful of lighting techniques that can be used when shooting a single-subject interview in two different environments: in the office and outdoors.
News/Feature - Posted 01 Oct 2007 By Todd Gillespie
Lee Rickwood | New support devices for steady handheld camera operation come in a wide variety of shapes, sizes, and prices.
News/Feature - Posted 31 Aug 2007 By Lee Rickwood
The Sentry Case, with its innovative security features, is the first professional case designed specifically to deter theft of high-end gear used in the professional video, photo, and audio markets
News/Breaking News - Posted 13 Aug 2007
Lee Rickwood | Light-emitting diode (LED) technology is opening up creative options for professional video lighting, offering greater punch, cooler operation, enhanced control, and adjustable color temperature output. Here are some of the latest and greatest LED lights designed for the cameras we use.
News/Feature - Posted 29 Jun 2007 By Lee Rickwood
Available in daylight flood or spot and tungsten flood versions
News/Breaking News - Posted 15 Jun 2007
Stephen F. Nathans | Rebecca Mead's One Perfect Day takes on the modern wedding industry and the crass commercialism she claims has overrun it. Because this book has been widely publicized and will be widely read, regardless of its merits, we all need to know what's in it.
News/Feature - Posted 12 Jun 2007 By Stephen Nathans-Kelly
Event will feature product demonstrations from some of the most respected presenters in the industry. GraVT Expo is for everyone, weather you are producing home movies, wedding videos, corporate, or broadcast video, SD or HD you will see a product that works for you.
News/Breaking News - Posted 04 May 2007
Stephen F. Nathans | How to Setup, Light, & Shoot Great Looking Interviews ($40), the latest training DVD from Doug Jensen and Vortex Media—best-known for the HandsOn HDV series—provides an excellent introduction to techniques for shooting broadcast-quality interviews in the types of low-key interior-location shoots common in small-studio corporate videography.
News/Feature - Posted 24 Apr 2007
Shawn Lam | If exposure is like the three bears’ porridge, then Goldilocks was on to something—“just right” is the only way to go. Digital video cameras are very unforgiving when it comes to proper exposure, and this month we’ll examine the technically challenging issue of stage lighting and learn three techniques to ensure proper exposure.
News/Feature - Posted 24 Apr 2007 By Shawn Lam
Lee Rickwood | I didn't come across any old Indian Head test cards during testing, but the DV Rack HD 2 package does reproduce the features, functions, and even the looks of top-notch video monitoring, analysis, and recording gear that used to be found in every self-respecting TV studio or post-production facility. Thanks to DV Rack, it's all in the PC!
Editorial/Features - Posted 28 Mar 2007
Jan Ozer | Recently, I had the opportunity to work with the Lowel DV Creator 44 Kit ($1,695 retail) for some interviews I was shooting for both DV and DVD distribution. It was a fun and interesting experience that I thought I would share.
News/Feature - Posted 07 Feb 2007 By Jan Ozer
Features upgraded design and new features
News/Breaking News - Posted 30 Jan 2007
Ed Wardyga | The Gadget Man's final word on stage event production.
News/Feature - Posted 03 Jan 2007 By Ed Wardyga
Kris Malandruccolo | Don't be afraid to demand the light you need to shoot a wedding, and don't let other vendors prevent you from getting it. State clearly what you need to produce the video your clients pay for.
News/Feature - Posted 07 Dec 2006
Free kit and carrying bag valued at $195
News/Breaking News - Posted 09 Nov 2006
Provides integrated power source that’s as versatile and lightweight as is the light itself
News/Breaking News - Posted 24 Aug 2006
DFP-0701 offers patent-pending MosaicView technology for digital storytelling
News/Breaking News - Posted 12 Jul 2006
Smaller version of the original LED Ringlite available in 5600°K and 3200°K models
News/Breaking News - Posted 05 May 2006
Lee Rickwood | If you are looking for something different, the cool, widely dispersed, and easily matched illumination that comes from either LEDs or fluorescents means that soft lighting should not be hard to create.
News/Feature - Posted 30 Mar 2006 By Lee Rickwood
Employs Litepanels’ LED technology to offer 3200ºK of warm, projected soft, output
News/Breaking News - Posted 27 Feb 2006
Available in 5600ºK flood or spot, and 3200ºK flood models
News/Breaking News - Posted 06 Feb 2006
Doug Graham | Why on earth would an event videographer spend three days at a convention aimed at video production and distribution for government agencies? Read on...
News/Feature - Posted 06 Dec 2005 By Doug Graham
For many of us—early adopters or not—2005 was the Year of HDV. But there was much more to 2005 than HDV. We saw scads of significant products released that had nothing to do with HDV and of course, event and corporate videographers the world over continuing to do dazzling, innovative, and effective everyday work with or without HDV. To provide readers with a highly subjective “Year in Review” report, we asked EventDV’s many esteemed and opinionated columnists and contributing editors to reflect on the new products they saw in 2005 and tell us what struck them as the most exciting, and the biggest boon to their own work.
News/Feature - Posted 01 Dec 2005
12 Columnists and Contributing Editors choose 17 essential products for videographers released in 2005
News/Breaking News - Posted 30 Nov 2005
12 Columnists and Contributing Editors choose 17 essential products for videographers released in 2005
News/Breaking News - Posted 30 Nov 2005
New Coco-DVL and Lux-DV team for Sony cameras including the HVR-Z1U, HDR-FX1, VX-1000/2000 series, and DSR PD150/170
News/Breaking News - Posted 11 Nov 2005
Offers bright, projected soft output
News/Breaking News - Posted 23 Sep 2005
New mattebox and sunshade systems custom-designed for for JVC GY-HD100
News/Breaking News - Posted 26 Aug 2005
Column/Class Act - Posted 01 Jul 2005 By Todd Gillespie
New connector for the Lowel Omni tungsten lighting fixtures
News/Breaking News - Posted 24 Jun 2005
Spot joins flood version of portable light system
News/Breaking News - Posted 10 Jun 2005
Column/Class Act - Posted 01 May 2005 - Microsoft Partners Directory [June 1999] By Todd Gillespie
New versatile lighting system for pro production
News/Breaking News - Posted 08 Apr 2005
New LED lighting system designed for shooting in "total darkness"
News/Breaking News - Posted 02 Apr 2005
Manufacturer of heavy-duty cases announces the availability of its new high-capacity utility trunks , the RRUT1 and RRUT1E
News/Breaking News - Posted 04 Mar 2005
Department/Gear & Now - Posted 06 Oct 2004 - May 2005 By Lee Rickwood
Jan Ozer|Shooting on a budget almost always means less than ideal lighting. To present your subjects in the best light, you’ll need to know what equipment to buy and how to use it, how to work without it when necessary, and how to adapt your lighting strategies to the idiosyncrasies of your shooting site. What constitutes “good lighting,” and how can you get it without breaking the bank? And how can you make sure it follows you wherever you shoot?
News/Feature - Posted 08 Sep 2004 - March 1998 [Volume 7, Issue 3] By Jan Ozer
 
   


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