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CATEGORY: Cameras |
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The Nikon D4 is the first FX-format DSLR to output an uncompressed, clean HD signal over HDMI
Breaking News
- Posted 02 Feb 2012
Captures, records, and plays video images at four times the resolution of high definition television. Powered by JVC's Falconbrid large-scale integration (LSI) chip for high-speed signal processing and a 1/2-inch CMOS imager with 8.3 million active pixels, it delivers real-time 3840x2160 footage at 24p, 50p, or 60p.
Breaking News
- Posted 12 Jan 2012
Stephen Nathans-Kelly | Ryan Bodie's current passion, streaming live events, has established his company, Florida-based Studio 26 Productions, as the go-to live event webcast provider in his region and in some key entertainment areas, ranging from concert series in the spring to festivals in the summer and one-off arena gigs like a Chaka Khan show. Bodie estimates that his crew does roughly 80 live events per year, with maybe half of those involving music.
Multi-area Mode Full HD D-movie movie recording function is capable of recording full-HD movies at 30 fps, and offers three movie recording formats for selection according to recording conditions or creative intent
Breaking News
- Posted 10 Jan 2012
Anthony Burokas | A physically similar follow-up to the more professional AG-HMC80 AVCCAM, the Panasonic AC7P uses the more consumer AVCHD format, loses a few ports, and drops $1,200 from the price tag, making the $1,300 (MSRP) AG-AC7 the least expensive actual on-shoulder camcorder you can buy. But what do you get?
Philip Hinkle | The Bolt seems well-built, with an ABS plastic case and solid-feeling knobs and switches. It isn't a perfect light for all situations, but it's a useful tool if your typical wedding-day workflow includes using a stand-mounted light.
Features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor
Breaking News
- Posted 05 Nov 2011
New model will be equipped with a 35 mm full-frame CMOS sensor and enable the recording of 4K video (at a frame rate of 24P, with Motion-JPEG compression)
Breaking News
- Posted 05 Nov 2011
Liz Merfeld | Just in time for Halloween, Dustin Blake of Atlanta-based indy Productions, a 2010 EventDV 25 honoree, has resurrected the Trash the Dress (TTD) movement—and this time, he's added an element of the macabre. The story that plays out is one part bridal elegance, one part slasher film, and one part skin flick. Click through to the article to read all about it--and to see the world premiere of Blake's new film.
HD HERO2 iow available at GoPro.com, specialty retailers around the world, and at Best Buy for MSRP $299.99.
Breaking News
- Posted 28 Oct 2011
Features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion, and support for 12 frames-per-second (fps) shooting; scheduled for March 2012 availability
Breaking News
- Posted 18 Oct 2011
Kyle Oliver | Chris Duke's broadcast and web TV show Motorz combines the agility of a technology professional with the enthusiasm of a lifetime, self-taught car buff. The result is an automotive DIY show that can, in Duke's words, "keep how-to installations real for enthusiasts." But it does this without giving the impression that there's anything amateur about the decidedly DIY Motorz operation, and looking inside that operation provides a great lesson into what a multitalented and motivated independent producer can accomplish without a studio behind him.
Niels Puttemans | At a certain point in your event filmmaking career, usually after watching a fellow filmmaker's online clip, you start dreaming of your own destination shoot. Although we at Ever After have filmed a few destination weddings before, our "dream client" turned out to be a young couple from Singapore. The couple was planning an engagement holiday through Europe and wanted an engagement film to show on their wedding day. It got better from there: We were asked to suggest the best city location in Europe for this December shoot. Although Paris gets more attention, if you're after a romantic European destination in December, there is really just one choice: Vienna, Austria.
Stu Sweetow | For corporate videographers, the opportunity to develop a rapport with the head of a corporation can be an opportunity for a long-term relationship with a firm. Your confidence with supervising the filming crew will be an asset the CEO notices. Your excellent pre-production planning ensures that the process runs smoothly, the exec performs in a relaxed manner, and the video exceeds the company's expectations.
Liz Merfeld | Andrew Waite runs Higher Definition Media (HDM) out of Bakersfield, and just this June launched its wedding-focused spin-off, Lovestruck Films. In addition, he is an indie filmmaker, with 3 self-produced features under his belt, and was among the first presenters announced for IN[FOCUS] 2012. Registered with the film commission, Waite often gets to crew on blockbuster films and even rent out his gear.
Shawn Lam | Jensen opens his training DVD with points that reinforce my belief that I made a great decision in purchasing the FS100. He explains some of the great features that the FS100 boasts, along with the benefits for the end user. His DVD is filled with great visuals of the camera, its menu system, video shot on the FS100, and graphics to demonstrate key concepts such as a scale comparison of the Super 35 sensor to 4/3", 2/3", 1/2", and 1/3" sensors.
ShootEditLearn.com co-founders Cristina Valdivieso and Jon Connor have announced a new workshop they are putting on in collaboration with Kessler Crane this fall in Austin, Texas, called Masters in Motion. The event takes place November 14-16 at Austin's Alamo Drafthouse; its 75-100 attendees will attend eight workshops in addition to shooting electives.
Feature
- Posted 19 Sep 2011
Also helps organizing and preparing clips for editing
Breaking News
- Posted 08 Sep 2011
Shawn Lam | The Atomos Ninja has allowed me to improve my acquisition and delivery video quality using the same video camera I've been using. The best part is that the cost to upgrade my recording is relatively low compared to the cost of a new video camera, and it exceeds the recording quality of AVCHD, the codec that has replaced HDV. I'm also not a big fan of having to media-wrangle-that is, to change and dump cards while on-site-and having a 500GB hard drive means I can record 11 hours in LT, 7.5 hours in 422, or 5 hours in HQ before I need to switch to a second hard drive.
John Goolsby | If you've heard about the Sony NEX-FS100, you've probably heard it described as one of two things: a game changer or an expensive DSLR. Which is it? Neither. Sony calls this new model a "motion picture camcorder." I'll bet the company spent a lot of time trying to decide how to name this new piece of equipment, and I think it made a good call. The FS100 does not take stills, and it is not really designed for event filmmakers, but with a few minor modifications, it does a fabulous job.
Stephen Nathans-Kelly | The men will have to continue to wonder what really goes on at POSH: A Retreat for the Female Filmmaker, but women who didn't make the 2010 event—as well as 2010 attendees who've been wondering what Team POSH will do for an encore—will get a chance to find out what all the excitement is about on November 6 when POSH 2011 kicks off in Cancun, Mexico. Last week I spoke with POSH co-founders Reagan Zugelter and Jennifer Moon to get the scoop on POSH 2011. Here's what I found out.
Randy Panado | Here we'll talk about two manufacturers, one that got out of the gate first with a product that's become the standard for LCD viewfinders for DSLRs, and another key provider of DSLR accessories and support products that introduced its entry to the LCD hood market a few short months ago. I'll also be talking about the lightweight rigs from these manufacturers that give you more versatility when you're shooting with these LCD viewfinders. The hoods/viewfinders in question are the Zacuto Z-Finder, the current leader in the DSLR hood market, and Cinevate, Inc.'s new contender, the Cyclops. The rigs are the Zacuto Striker and the Cinevate Proteus Simplis Pro.
David McKnight | After months of speculation about what would be in the latest full-step upgrade to Sony Creative Software's popular pro NLE, the new version has brought users new features and increased performance—without sacrificing stability. In this overview we'll cover many of these new features in Vegas Pro 10 that will benefit event videographers and filmmakers. Also, bookmark this page: we'll be adding new Vegas Pro 10 video tutorials every month through the first half of 2011.
Full HD AG-AC7PJ records to SDHC/SDXC media, comes complete with a large grip and zoom lever, as well as a wide-diameter, manual focus ring for smooth, precise operation
Breaking News
- Posted 20 Jun 2011
Records 1920x1080 HD footage in 1080p and 1080i at 25 Mbps or 35 Mbps. JVC's native file recording technology allows recording in ready-to-edit file formats for Apple Final Cut Pro or Adobe Premiere (.MOV), as well as other major NLE systems (.MP4), to non-proprietary SDHC cards
Breaking News
- Posted 15 Jun 2011
Stephen Nathans-Kelly | A look inside the Wedding Day Cinema success story and the two innovative filmmakers, Keith and Jennifer Anderson, who made it happen.
Marc Franklin | The best products of NAB 2011 for event videographers/filmmakers in two categories: production and postproduction.
Amina Moreau | A photographer sampling the world of cinema is generally familiar with the concepts of lens choice, composition, light, and color. But these tools are still new to many videographers who are entering the DSLR world and are, for the first time, encountering the abundance of choice and exploring light in a whole new way. By grabbing hold of a few of the most powerful concepts in photography, event cinematographers can unleash the creative potential we have in all of us.
Anthony Burokas | Canon's second MXF camcorder, the XF100/105 shrinks the size but keeps most of the features of its big brother, the XF300/305. With the ability to customize the colorimetry of most any camcorder these days, what else does the XF100/105 bring to the production table? Well, 50 Mbps 4:2:2 recording, good audio control and plenty of ways to directly access the most used features while you are shooting. Does the XF100 strike a good balance between "big features" and a "small camcorder?" Let's find out.
New rig brings together Switronix Powerbase-70 PRO V-Mount battery and Zacuto Zwiss Plate
Breaking News
- Posted 31 May 2011
Stephen Nathans-Kelly | Recently, I had the strange and wonderful privilege of watching a contemporary home birth film that is not explicitly about advocating home birth or dramatizing childbirth, although in its own way, it achieves both. Produced by two Central Florida studios, Kat Small's Cinema Chic Films and the Nielsens Photography & Design, Born at Home is an intimate and inspiring family film.
Liz Merfeld | The Aussies have scrunched their event video industry's evolution into the blink of an eye, leaving videographers stateside blushing. Sure, event videos in the U.S. have advanced by leaps and bounds, going from totally cheap to totally chic, and morphing into films along the way. And there's no better evidence of the rise of event filmmaking in Australia than the Aussies' innovative educational event, Exposed Down Under. EDU 2011 kicks off on 4 July in Melbourne.
Following closely on the heels of EventDV announcement, EventDVLive announces its own Winners' Circle, highlight the best of NAB for video producers focusing on live production and live delivery
Feature
- Posted 16 May 2011
New add-on lenses minimize chromatic aberrations and unwanted distortion and produce images that are ultrasharp edge-to-edge
Breaking News
- Posted 09 May 2011
Standalone solution for converting DSLR footage to edit-friendly formats includes new format support, frame rate options, proxy file codecs, and more
Breaking News
- Posted 06 May 2011
EventDV, The Authority for Event Videographers, has done its sixth annual evaluation of the best and most relevant NAB releases for the event video market. Chosen each year by contributing editor and leading L.A.-area videographer and filmmaker Marc Franklin, the awards recognize products in two categories: production gear (including cameras, camera support, lighting, and so on), and postproduction solutions (including NLEs, plug-ins, and the like).
Breaking News
- Posted 04 May 2011
Jason Magbanua | For a lot of people, producing a same-day edit at a wedding reception is a regular thing, and it's something that is second nature after years of repetition. But for others, who find just shooting a wedding to be stressful enough, producing a polished edit to show to a live audience that same evening seems like an impossible task. Here, international wedding filmmaking sensation Jason Magbanua breaks down the same-day edit production process that's helped to make him "the new national artist" of the Philippines.
Niels Puttemans | Though you can occasionally fix issues with subpar audio in post, nothing beats getting it right the first time. Because the DSLR cameras that have transformed our work visually seem to have ignored the vital importance of audio in filmmaking, here are some ideas on how to make sure you capture sound that is as crisp as your imagery.
New Firmware Enables 3D HD Video Capture Assist and a Host of New Features
Breaking News
- Posted 07 Apr 2011
Innovative Modular Design Enables Consumers to Combine two 1080p HD HERO Cameras to Create Professional Quality 3D Camera System
Breaking News
- Posted 04 Apr 2011
Randy Panado | collaboration becomes a bigger part of our industry and more of us are booking weddings outside of our own local markets, either because of the nature of our online marketing, our need to book weddings in a higher price range than our market will allow, or both, traveling to gigs becomes an ever-bigger part of our businesses—even for those of us who don't live on relatively small islands. Hawaiian filmmaker Randy Panado's own reliance on remote gigs has caused him to create a "kit" that is very efficient in terms of incorporating everything he needs to produce solid work and, at the same time, being light enough for travel.
Frances | Qualified artisans are going to be called upon to provide both still and video work, because fusion equipment has changed public perception and buying habits. In general, wedding and event industry providers have traditionally been slower to change, as are all vendors in this arena. But I'll admit total surprise at a recent party planners awards presentation where not one single winning event was served by fusion imagers. What are they thinking? Without fusion capability, your potential client pool is shrinking and will continue to shrink over the next few years. No market analyst I've interviewed says otherwise.
Patrick Moreau, Kevin Shaw, and Brian Lockhart | Over the past year, Patrick Moreau and his stillmotion crew have been working on the Emmy-nominated NFL Network program The NFL Season: A Biography, Presented by SAP. The producers of the show hired stillmotion entirely based on seeing their wedding films. In this three-part article (all in this issue), Moreau, NFL Network coordinating producer Brian Lockhart, and producer and director Kevin Shaw offer their own takes on the story behind The NFL Season and the lessons to be learned from how it all came about and how it all played out on and off the field.
New Multiformat, Camera-Mountable DVR Streamlines Production Workflows and Eliminates Transcoding by Supporting High-Quality NLE Formats Such as ProRes
Breaking News
- Posted 24 Mar 2011
New NXCAM Super 35mm Sensor Camcorder and "Rain and Dust Proof" Compact Camcorder Deliver Unprecedented Capabilities for Professionals
Breaking News
- Posted 23 Mar 2011
Hands-on, comprehensive workshop from Pre-to-Post in the ongoing trend of DSLR filmmaking
Breaking News
- Posted 21 Mar 2011
Appearing for the first time will be a new workshop series called "Deconstructing the Story: Light, Sound, Motion & EOS HD," aimed at professional videographers and transitioning still photographers, and led by instructors from the industry-leading stillmotion team
Breaking News
- Posted 16 Mar 2011
World-renowned photo, video and pro audio reseller adds PluralEyes, DualEyes, and Singular Software Presto to its exclusive line of leading industry products
Breaking News
- Posted 10 Mar 2011
QuickTime plug-in that eliminates the need to convert AVCHD files to ProRES422 files before editing in Final Cut Pro
Breaking News
- Posted 09 Mar 2011
Jan Ozer | Whenever I shoot a live performance, I have an internal debate about which functions to perform manually and which to let the camera perform. Obviously, the panning and zooming is my job; the question is whether I also take on focus and/or exposure. I shot my fifth Nutcracker season just before Christmas, which adds up to about 20 shows total, and I actually reached some clarity on this debate.
Feature
- Posted 07 Mar 2011
By
Jan Ozer
Philip Hinkle | In addition to speaking at national events such as WEVA and IN[FOCUS], Ray Roman has initiated a series of 3-day workshops designed to provide intensive training for other event filmmakers. Joining Ray at an event held Jan. 18-20 in a number of southern Florida venues, was Konrad Czystowski, fellow EventDV 25 All-Star, frequent Ray Roman Films collaborator/second shooter, and founder of the newly minted FreshSox studio. Here's a peek at what Ray and Konrad shared.
Ron Dawson | Last month we began our two-part series about the short holiday film "For the Man Who Hated Christmas" that Ron Dawson produced for Giving101. The whole process, from booking the client through production, is an ideal case study on corporate film production (not to mention profitable production for nonprofits). Part 1 covered the business side of the deal. This month, we're covering the "fun stuff": making the film.
All New Design is Thinner, Lighter & Faster with FaceTime, Smart Covers & 10 Hour Battery
Breaking News
- Posted 02 Mar 2011
Welcome to the 2010 EventDV 25 Awards Show, presenting the 25 hottest and most influential event filmmaking studios in the world as elected by the readers of EventDV Magazine and EventDV.net. Your new all-star team will be presented here over the course of 5 days--February 28-March 4, 2011. Watch the shows in the video windows for the awards presentation, including samples of the all-stars' finest work. (Video players will fill in as the shows go live at 9am CST on successive days this week.)
POSH 2011, a retreat for the female filmmaker, will take place November 6-9 in Cancun, Mexico
Breaking News
- Posted 22 Feb 2011
Niels Puttemans | For Ever After Video Productions, the Panasonic Lumix GH2 has redefined the possibilities of DSLR shoots. The solved aliasing and moiré issues, audio monitoring, zebras, no recording limits, improved low-light shooting, 1:1 crop function ... these are all reasons why we bought a second GH2 after one shoot with our first.
DSLR Encounter scheduled for March 2, limited to 10 attendees
Breaking News
- Posted 04 Feb 2011
New HD/SD Compact Shoulder-Mount Model Offers Simultaneous Recording to Two SDHC Cards, Optional ASI Module for Live ENG Microwave Broadcasts
Breaking News
- Posted 31 Jan 2011
Stephen Nathans-Kelly | How will the Panasonic AG-AF100, the first pro camcorder with a 4/3 imager, impact event filmmakers?
Kevin Shahinian | Concept filmmaker extraordinaire Kevin Shahinian (City of Lakes, Snow, Dil Jaanta Hi, Tum Hi Ho) explores the classic underpinnings of film-based storytelling and the language of effective filmmaking in this four-part series on EventDV, co-produced by Pacific Pictures and Adobe Systems.
Feature
- Posted 18 Jan 2011
Julie Hill | When you're filming a destination wedding, you're stepping into a world of unknowns—unless you take the time to find out as much information as possible in advance and prepare for the worst. The more you invest in getting information, the more rewarding the experience—and the more satisfying the film you produce—will be. Have fun and travel safely!
Advanced, Custom-Designed 4/3" Sensor Delivers Depth of Field and Field of View Similar to a 35mm Movie Camera; Camcorder Uses Low-Cost Still Camera and Film-Style Lenses
Breaking News
- Posted 28 Dec 2010
Now available in beta for Mac OS X and later, the award-winning standalone application offers quick and easy dual-system audio replacement
Breaking News
- Posted 19 Dec 2010
Chrosziel has a prepared its 3DA1Kit (456-203DA1KIT) for the new S3D Camcorder Panasonic AG-3DA1 consisting of a LightWeight Support (401-415) with 15mm rods, the MatteBox 456 Academy Double and the Retaining Ring (410-65) shaped to tightly fit the camera's twin lens
Breaking News
- Posted 19 Dec 2010
Liz Merfeld | There's a wave of raw, demolike one-take music videos with an unmistakable live feel sweeping the web, and some savvy event filmmakers have thrown their hats into thering. Here we look behind the scenes of Bill Grant's boneshow and Jet Kaiser's One Take Shows, and get their spin on this new, viral field-recording phenomenon.
blueSLR Companion App Available Now on the App Store
Breaking News
- Posted 09 Dec 2010
A perfect companion to DSC's world-renowned test-charts, the customizable setup of DSC's "best kept secret" dramatically improves the visual quality and consistency of any shoot
Breaking News
- Posted 09 Dec 2010
Kara Stellner | Although Unique University marked Adam Forgione's first foray into back-to-back all-day marathon workshops, it was also something of a warmup gig for Pennylane Productions, who will be taking Forgione's show on the road in early 2011, with workshops in 12 cities planned. This article should give you a good idea of what you can expect to see, hear, and learn if the Pennylane EDU 2011 tour rolls into your town.
Scott Strimple | New "crossover" educational event bringing filmmakers and photographers together April 10-12, 2011 in Norfolk, Va.
EventDV 25 all-star and 2010 multi-WEVA CEA winner Adam Forgione announces first 6 dates and for 2011 workshops in Philadelphia and Boston
Breaking News
- Posted 08 Dec 2010
Canon Filmmakers Live takes to the road in March 2011 with iconic DP/Director/Filmmaker Philip Bloom, hitting 12 cities in 30 days
Breaking News
- Posted 01 Dec 2010
Joanna Banks-Morgan | On November 8, 2010, 42 female visual artists from around the world boarded a cruise ship in Port Canaveral, Florida for POSH 2010. POSH, an educational workshop and retreat for women, is the brainchild of Jennifer Moon of Northernlight Filmworks and Reagan Zugelter of Studio Z Films. Jen and Reagan had recognized a need in our industry for female filmmakers and photographers to come together to connect, educate, and inspire one another. As we found our way around the ship that Monday afternoon, and began to meet one another, Jen and Reagan's inspiration started to become a reality.
Mark & Trisha Von Lanken | Working with DSLR footage creates new challenges in post, from ingest to format support issues to audio sync, and it takes a skilled editor and powerful, versatile editing system to create a masterpiece from even the most stellar DSLR footage. Here's a look at how the Von Lankens have adapted their short-form edit workflow to work DSLR imagery into the mix.
Anthony Burokas | Maxell's iVDR on-camera, modular hard drive-based storage system gives you the long record time of hard drives but with removable media packs, so you can swap them out and keep the camera crews shooting. The media packs are ruggedized with internal isolation. Maxell touts operating shock tolerance of 350 Gs—something generally only possible with flash media. Plus, with the iVDR-X adapter, you get faster access to your footage than the FW 400-based FireStore or a USB 2.0 connection to anything.
Shawn Lam | Here we test 2 on-camera LEDs from LCD4Video and 2 from Litepanels, including design, features, and throw-pattern comparisons.
NXCAM HD camcorder under development, featuring E-mount lens system
Breaking News
- Posted 19 Nov 2010
EventDV 25 all-star Adam Forgione of Pennylane Productions in association with Unique Photo in New Jersey will be giving two amazing workshops. The first 20 attendees to sign up for each workshop will receive a free gift card to Unique Photo.
Breaking News
- Posted 11 Nov 2010
Mark Von Lanken | There are literally dozens of DSLR support devices on the market,. The challenge for all of us is to decide which support device will best fit our needs. My goal is not to steer you toward one particular model or to tell you which one I prefer, but rather to explore three different models—covering both the good and the bad—and give you better insight into each model.
Liz Merfeld | You may know Kristen and Jeff Turick of Artifact Documentaries for their handcrafted wedding documentaries and vintage Super 8 wedding films. But now, nearly 6 years into the business, the pair has admittedly lost their "wedding mojo" and found something they find more meaningful. Today, Artifact is shifting focus to what Kristen calls "documentary stories that will allow us to explore a broader variety of human emotions."
Major new update for its Mini Converter UpDownCross and Mini Converter HDMI to SDI
Breaking News
- Posted 08 Nov 2010
Sara Frances | I'm searching to define and delineate where fusion has come from, why it's useful, and where it's leading the industry—or if it's not leading at all and is just a bunch of hype. Maybe fusion only muddies the waters, lowering the quality of imagery by masking imperfections and diluting the impact. That would mean also lowering the prestige and financial earning power of pure videography and photography. Or maybe using a variety of different elements really does create a finished piece of art that is worth more than the sum of the parts.
Popular Digital Juice Gear Line Now Includes Gear Protection and Transport
Breaking News
- Posted 03 Nov 2010
Marc Franklin | An up-close look at the AG-AF100 at DV Expo 2010
Stephen Nathans-Kelly | If The Promise teaches us anything, it's that the one thing you can't sacrifice is authority over your own work, regardless of how circumstances—financial or otherwise—conspire against you.
Greg Lam | We've all seen the dazzling work of our peers who have taken the DSLR plunge, and thus have a good idea of what migrating to DSLR can do for our films and our businesses. But we also know tat DSLR cameras are fundamentally different animals from their video-camera counterparts. What can we expect when we make the transition, and what do we need to know about the new skills we'll need to learn and other gear we'll need to acquire to make DSLRs work in our video workflow?
Feature
- Posted 01 Nov 2010
By
Greg Lam
On display in the Canon booth will be the company's full line of EOS DSLR cameras and lenses, VIXIA HD camcorders, imagePROGRAF large format printers, PIXMA inkjet printers, PowerShot digital compact cameras, and REALiS high-definition projectors
Breaking News
- Posted 29 Oct 2010
Stephen Nathans-Kelly | Does 3D have a place in wedding filmmaking's future, or is that notion just the stuff of science fiction? We spoke with one of 3D's earliest adopters in the wedding world, Abraham Joffe of Sydney, Australia. A few months back, Joffe produced and delivered a 3D wedding film—Australia's first, but already not its last—and lived to tell the tale.
Exhibition showcases the newest HD technology in an informal setting that allows professionals to get hands-on experience with the latest groundbreaking gear while conversing with colleagues and industry decision-makers
Breaking News
- Posted 27 Oct 2010
DSLR editing Quicktime plug-in for use with Final Cut Pro 6 or 7
Breaking News
- Posted 19 Oct 2010
Designed to safeguard a video-enabled DSLR camera and important accessories while on the go and keep them well organized on location
Breaking News
- Posted 11 Oct 2010
Q3HD records in stunning 1080p at 30 fps or 720p at 30 and 60 fps
Breaking News
- Posted 04 Oct 2010
Liz Merfeld | As experts and studio principals, have you ever considered enlisting a studio-owning peer to assist you on a shoot, instead of a freelancer? Your peers offer a wealth of technical and business acumen—not to mention talent—that can translate into a worry-free workflow and a brilliantly polished product. What's more, if recruited to help on a colleague's project, you stand to gain perspective in the humbling role of second or third shooter on a colleague's gig. Isn't it about time you stopped flying solo every weekend and got into the collaboration game?
Anthony Burokas | Canon continues to twist and turn out new ideas in the ever-changing professional camcorder marketplace. The latest is their MXF-based XF-series camcorders. These innovative camcorders offer 4:2:2 colorspace, a generous 50 Mbps data rate, and the Material eXchange Fomat for direct interoperability with today's nonlinear systems. Are they a revolution, an evolution, or something else entirely? I test the XF300 to find out.
Feature
- Posted 29 Sep 2010
By
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