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Nikon Introduces 36.3MP D800 With 1080p/30 Video
For cinematographers ready to put their exceptionally sharp NIKKOR lenses into action, the D800's 36.3 effective megapixel data is efficiently processed for exquisite 1080p broadcast quality video at 30p
Posted 08 Feb 2012
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GenArts Announces Sapphire Edge Support for FCP X
Sapphire Edge empowers Final Cut Pro X editors to efficiently apply cutting-edge visual effects in a streamlined editorial experience without compromising the quality of the final result
Posted 02 Feb 2012
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EventDV Spotlight is now:
Tim Siglin | LandingZone, which will be available in a few weeks for $199.00 in two sizes—11" or 13" designs—mimics all the connectors of a last-generation Core2Duo MacBook Air. Read on to find out about current model MacBook Air devices, which have Thunderbolt connectors instead of mini DisplayPort connectors.
Jan Ozer | A step-by-step tutorial on creating a basic setup for in-studio greenscreen shoot, including tips on lighting, audio, teleprompting, monitoring, camera setup, exposure, and cleanup.
Jan Ozer | If you're a streaming producer you have to know how to produce H.264 for both Flash distribution and for mobile devices. Fortunately, Adobe Media Encoder makes this simple with multiple presets for desktop and mobile players which I'll show you how to find and customize in this tutorial.
Jan Ozer | When you compress video for the web, the video can darken and colors can become muted. In this tutorial, I'll show you how to correct color and adjust brightness and color saturation with Adobe Premiere Pro's Fast Color Corrector. If you're a Final Cut Pro 7 user, I'll also show you that Premiere Pro's tools work very similarly to those that you're used to and should be much easier to learn than those used in Final Cut Pro X.
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and streaming delivery.
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